ad stuff

Caesars Campaign, no CGI required

Creative director Mike Ferrer at GSD&M comped up this whole campaign. He wanted to make the Caesars logo out of various objects. Each object represented an aspect of their brand; Celebrity chefs, shopping, spas, etc, and their iconic laurel.

After Mike finished having his brilliant idea, he was struck with a dilemma; how on earth would he pull this off? He wanted it to look real. That’s something objects just layered in Photoshop aren’t going to achieve. And something only a select few, very expensive, very busy CGI artists can pull off…. So?

Art buyer Shannon McMillan to save the day! When this landed on her desk she knew; Adam and Robin. Are they brilliant CGI artists? No. Can they line up some knives to form a logo AND light the heck out of those knives? Damn right they can!

So we got the job. Mike’s baby was in our hands. The bulk of the photography took place over a mere two days (for eight of these things! [not all have been released so I can’t post them all yet]). We used a projector to make guides for each laurel on rolls of paper. We captured as much as we could in camera. And after lots of work, glue, paint, and a few stiff drinks we had a print campaign.

Creative Director: Mike Ferrer; Copy Writer: Mark Bielik; Art Buyer: Shannon McMillan; Photographer: Adam Voorhes.

 

Big thanks to Mathew Zucker for sending a picture of the campaign posted in the New York subway system.

 

 

 

 

Caesar’s campaign in Bon Appetit

In the fall we shot a campaign for Caesar’s casinos. This is one of many like images that will be appearing over the next few months. It first appeared in Bon Appetit, who I have NEVER SHOT FOR! What’s up Bon Appetit? Why not let me make some cool photos for you? All of the other cool magazines hire me. Gourmet hired me! Come on… call me? Pretty please?

Poster for Coca Cola's Full Throttle line

Ad shop Ptarmak hired me to do a series of images for Full Throttle. They were a great group to work with. After a few meetings I decided the best route was to turn my studio into a mechanic’s garage. We brought in truckloads of props and built concrete walls and faux floors. Seems like overkill looking at this shot, but it was fun to have an auto shop in the studio for a few days.

Lennox – Heating and Cooling Campaign

Creative director Ralph Yznaga at GSD&M had a crazy idea and somehow managed to sell it to the client. Art buyer Shannon McMillan put him in touch with my studio and we got to work.  We started with Ralph’s rough composites that the client signed off on. But creating these objects out of industrial air conditioners and furnaces required some serious planning. I created detailed perspective drawings of these scenarios using their product line and then planned how light would effect each object. When the massive AC units and furnaces got to the studio we had to take the door off of the hinges to fit everything inside. The parts were lit individually and the appropriate shadows were cast on them so when I put all of the parts together in Photoshop everything looked natural. Easy peasy!

  

Father's Day Megga Hammer Ad

This ad ran in Sports Illustrated for Ace Hardware.  It’s for an Auto Hammer.  I want one.  We pounded all of these nails into this plywood by hand.  I have a nail gun, but nail guns don’t use pretty nails.  So if anyone wants to send me an auto hammer you can find my studio address on my contact page.