Top five things we learned on this shoot:
Many thanks to Taylor Le and the rest of the team at Pacific Standard for sending us out to shoot a bear the only way we’d ever like to (with a camera).
This spring we collaborated with Paul Spella at The Atlantic on a cover story about Paul Manaford and the swamp that is Washington politics. We shot a number of options for the story. At one point the headline was going to read American Hustle, so we took off on a shell game option with our politician lobbyist, pinky ring and all, running the game. There was also Washington decay with our take on what the Lincoln Memorial might look like in the Stranger Things “Upsidedown”. We even made plaster replicas of the capitol dome and smashed them to bits.
But in the end, the simple powerful graphic of an American flag lapel pin falling upside down on white was the winner. Strong and graphic, a statement in its starkness. Thanks Paul Spella for making something so simple look so good!
Flattered as always to take on another cover for Michael Goesele, Diane Rice and the fantastic team at Newsweek.
This time we had a whopping 2 days to create an image with an Air Force Medal of Honor. Unfortunately I found out really quickly it is illegal in the US to buy one, or even own one, if it was not given to you or a member of your family.
So our scrambled solution involved cobbling together a really close stand in from jewelry charms and a key ring from the craft store. The ribbon part itself was it’s own challenge. Thank goodness for the kindness and uber quick response from Jennifer at Etsy store TextileArtLace. She had a roll of the most perfect vintage moire sky blue silk ribbon she was willing to overnight to me the next day.
Finally, Nicki Longoria hit up the Army surplus in search of the one Navy dress uniform we could get on Adam’s arm. Yep, Adam was our hand model.
Super happy for how it all turned out. Thanks again Michael and Diane for letting us tackle another.
In early May we were asked to quickly turn around a cover image for the WSJ on a story about psychedelic drugs. BUT… No Tie Dye and No Lava Lamps. The solution? The beautiful hand of Jasmine Roussell holding a glowing swirling capsule.
Ultimately, the paper went with the safe version but we had to try just a little to make it more psychedelic with some colored gels. Oh well, we have that one for us.
When we got asked to create the Oprah “O” out of cats and dogs interacting with each other, we quickly got all of our Ghostbusters quotes out of our system and came up with as many scenarios as we could using model cats and dogs. Some of the cats were less than stellar looking, so our stylist assistant Nicki Longoria got to work with some paint and brushes to bring them to life.
The cover model for Pop Sci’s Spring 2018 issue was a crow named Shadow. He was beautiful, smart, and knew what a hot sauce container was from across the studio.
Huge thanks to Trevor George-Fowler with Bobby Colorado and the Wild Bunch for bringing in Mark and Shadow.
Here’s some BTS video from our day.
Super excited to get the latest issue of PDN in the mail and see the below photo in the winners gallery for their Objects of Desire contest. Thanks PDN and huge thanks to Karen Williams and Clark Miller for letting us make a bouquet of sunglasses. Also thanks to our fantastic hand model Myan Aljets.
It’s been a while since we posted any of these, but collection of Os for O Magazine has grown. Here are a few new ones we made over the past year. It’s always fun to try and figure out different ways to interpreter the special shape. Thank you Scott Lacey for allowing us to tackle it so many times. The Bonsai O is in the current March 2018 issue out now!
Excited to take on Popular Science’s Jan/Feb 2018 cover. The theme for this issue was POWER. After brainstorming various forms of power, everyone landed on jumper cables clamped to the cover as a metaphor for jump starting the year.
For the feature opener, we were asked to to a play on “Horse Power” with a horse inside a hamster wheel. Thanks to Adam being the Photoshop magician that he is, it came together seamlessly. FYI, horses not so keen on strobe flashes.
As always, huge thanks to Thomas Payne, Pete Sucheski, and Joe Brown for trusting to pull off the seemingly impossible.