I was shooting some food for Texas Monthly last week and decided to give them some extra options. Poor Lindsay from The Butler Brothers stopped by to pick up some prints and ended up with a giant camera in her face. I pretty much grabbed any poor soul that wandered into my studio and exploited them. Here are the exploits.
We were approached to create a cover for a seed manufacturer’s (no not Monsanto) quarterly publication. At some point, someone mentioned a type cover, and we love type! So my brilliant stylist Robin made some options and we ended up with these two final images. We like type.
This feature was shot for Texas Monthly, and designed by art director Andi Beierman. The images are from a small protfolio Robin Finlay & I created based on the story by Michael Hall challenging the legitimacy of many forensic practices. The story touches on many people who were wrongly convicted based on shady ‘science’ and later exonerated. Heavy stuff!
Designer Ulrike Bohnenstiel at Fuenfwerken Design in Berlin asked to use my work for the cover wrap of StadtAnsichten, the Magazine of Autostadt. Autostadt is Volkswagen’s museum in Wolfsburg, Germany, featuring a variety of art in addition to automotive exhibits. The magazine is pretty cool, its mostly filled with artsy stuff… and they said nice things about me!
“sicher! Voltron, der mächtigste Riesenroboter des Universums, bestehend aus fünf Löwen-Robotern, hat den Kampf gegen den tyrannischen König Zarkon aufgenommen. Nicht nur in den Kinderzimmern, wo er in den achtziger Jahren häufig anzutreffen
war, hat er bei seinem Einsatz um die Sicherheit anderer Geschöpfe so manche Blessur davongetragen. Eine Krücke hilft ihm, trotzdem selber sicher dazustehen. So zumindest stellt sich das der texanische Fotograf Adam Voorhes vor – ein Meister absurder Stillleben.”
Or translated by Google;
“sure! Voltron, the most powerful giant robots of the universe, consisting of five Lion-robots, has taken up the fight against the tyrannical King Zarkon. Not only in the nursery, where he frequently encountered in the eighties, he did so with his commitment to the safety of other creatures suffered some injuries. A crutch helps him to stand still themselves safe. That at least raises the front of the Texan photographer Adam Voorhes – a master of still life absurd.”
Super rad art director Larry Williams asked me to illustrate the phrase ‘Come Together’ for Bluetooth. We brainstormed a bit and came up with this idea. I had a week to pull it off and only one day without rain! Here it is….
A couple friends at a magazine were up a familiar creek. No paddle. An image had fallen through and they had a blank page to fill. So they got this Rolex over to me, but for whatever reason I only had two hours with it. I hurried and made these images with some objects from the studio storage room. I like them.
Okay, maybe not ever. But TIME did list this magazine cover I worked on with TJ Tucker as the third best magazine cover of 2009. Wow, thanks!
These are great dishes, all worth a try. But be careful with Chef Garces’ corn bread. He has a heavy hand with the peppers. If these images are hard to read you can see the article here,
Rosebud magazine, designed by Pentagram Design’s Julie Savasky and DJ Stout in Austin Texas!
Megan Re, a photo editor at Gourmet sent me to photograph ‘The Pastry Queen’ Rebecca Rather’s food. I love Gourmet. I read Gourmet. I’m excited to get it in the mail each mont. Or I was, anyway. I’m lucky to have worked with them before Conde Nast took them away. These are a couple of shots I did with the help of Robin Finlay’s styling for their final October issue.