Last month Thomas Payne at Popular Science contacted us about a story on the dark web, all the hidden parts of the internet we don’s see and can’t find through a google search. The dark web hides human trafficking, arms deals, narcotics transactions, and other illicit activities. But there is a guy who is using his talents and training to shine a light in the darkness. The concept was to have black objects representing the illegal goings on rising out of black goo.
Gallons and gallons of black paint and a few ruined hard drives later we had a set of images we could not be more proud of. Thank you Thomas for the stellar assignment. Go pick up the September issue of Popular Science! The design of the whole story is killer as well.
This was a very special assignment for us. Mia Diehl from Fortune magazine called and asked us to contribute to their annual Fortune 500 issue. (SUPER HONORED!) The magazine was going to run multiple covers and each cover would focus on a different company on the list. We were assigned Monsanto and she wanted to know if we could shoot a combine in a field. Absolutely we could! And it was the perfect time of year to take this image. Robin’s father still had wheat in the field and it had just started to turn golden. So one weekend in May we loaded up the car with gear and drove to the family farm. It’s hard to find many photo assistants in the “middle-of-nowhere” Texas, but lucky for us our family was more than happy to help. We scouted the different wheat fields till we found the right spot. Mr. Finlay parked the combine in the field and over the coarse of the weekend we were able to capture it during two sunrises and two sunsets. On the last sunset we realized the cabin of the combine felt kind of empty, so Robin’s dad climbed in the driver’s seat and started his modeling career.
Thank you so much Mia for trusting us to venture out of the studio for this assignment. We’re not much for the waking up before the sun part, but beside that the experience was very rewarding.
Here’s some behind the scene pics from the weekend.
When Hector Sanchez , the creative director of Austin Monthly, contacted us about doing the August cover, it took us a second to think through how to respond. The mass shooting in an Orlando night club had happened days before and that was weighing heavy on our minds. We talked it through with him and when he told us the story was an unbiased look at both sides of the argument, interviewing people both for and against campus carry going into affect at The University of Texas this year, we said ok.
The image he wanted was simple but powerful. A handgun with the barrel becoming the UT Tower.
If you know the history of contemporary mass shootings in the US, you know that one of the first was committed from atop that same tower we were putting on the cover. Not only that, but the campus carry law was to go into effect on the 50th anniversary of that very event, where Charles Whitman shot 49 people, killing 16 of them.
GQ came to us with an article about the future of football, and one writer’s theory that football will not become less violent, but actually more violent in the future. So we were asked to imagine what this more violent future might look like. Menacing spikes on the helmet, barbs on the shoulder pads, players with brass knuckles, and razor wire at the end zone was where we went. This was an amazingly fun set and costume to build. Thank you to makeup artist Tara Cooper for making our player’s skin look phenomenal!
And here were some of the out takes that did not make it to print, but we love the way they turned out.
We looked at all kinds of different spikes to find the most menacing. The end solution…..spear fishing tips! All ground down by hand. And yes, they were sharp!
Last, here’s some behind the scene images from the day.
In May, WWD called with an idea for a cover story, but due to their quick turn around were unsure whether it could happen in time. They wanted to cast a bust of a woman with a worried look on her face for a story about consumer confidence. We’re always up for a challenge so of coarse we said yes.
Thank goodness we have the best assistants ever. Katy slicked back her hair and sat patiently for almost an hour while i covered her face with a casting compound and then plaster support. The result was just what the magazine was looking for.