I was shooting some food for Texas Monthly last week and decided to give them some extra options. Poor Lindsay from The Butler Brothers stopped by to pick up some prints and ended up with a giant camera in her face. I pretty much grabbed any poor soul that wandered into my studio and exploited them. Here are the exploits.
We were approached to create a cover for a seed manufacturer’s (no not Monsanto) quarterly publication. At some point, someone mentioned a type cover, and we love type! So my brilliant stylist Robin made some options and we ended up with these two final images. We like type.
This ad ran in Sports Illustrated for Ace Hardware. It’s for an Auto Hammer. I want one. We pounded all of these nails into this plywood by hand. I have a nail gun, but nail guns don’t use pretty nails. So if anyone wants to send me an auto hammer you can find my studio address on my contact page.
This feature was shot for Texas Monthly, and designed by art director Andi Beierman. The images are from a small protfolio Robin Finlay & I created based on the story by Michael Hall challenging the legitimacy of many forensic practices. The story touches on many people who were wrongly convicted based on shady ‘science’ and later exonerated. Heavy stuff!
Despite a sky full of volcanic ash my copy of ‘It’s Nice That Issue #3’ arrived from the UK last week. It’s a great looking book featuring the likes of illustrator Charley Harper and legendary designer Milton Glaser. The paper-stock is pulpy and slightly yellow gray, but heavy. And the printing is impressive, strong blacks and vivid colors. It’s Nice That is a beautiful unique book, I’m flattered to be included.
Designer Ulrike Bohnenstiel at Fuenfwerken Design in Berlin asked to use my work for the cover wrap of StadtAnsichten, the Magazine of Autostadt. Autostadt is Volkswagen’s museum in Wolfsburg, Germany, featuring a variety of art in addition to automotive exhibits. The magazine is pretty cool, its mostly filled with artsy stuff… and they said nice things about me!
“sicher! Voltron, der mächtigste Riesenroboter des Universums, bestehend aus fünf Löwen-Robotern, hat den Kampf gegen den tyrannischen König Zarkon aufgenommen. Nicht nur in den Kinderzimmern, wo er in den achtziger Jahren häufig anzutreffen
war, hat er bei seinem Einsatz um die Sicherheit anderer Geschöpfe so manche Blessur davongetragen. Eine Krücke hilft ihm, trotzdem selber sicher dazustehen. So zumindest stellt sich das der texanische Fotograf Adam Voorhes vor – ein Meister absurder Stillleben.”
Or translated by Google;
“sure! Voltron, the most powerful giant robots of the universe, consisting of five Lion-robots, has taken up the fight against the tyrannical King Zarkon. Not only in the nursery, where he frequently encountered in the eighties, he did so with his commitment to the safety of other creatures suffered some injuries. A crutch helps him to stand still themselves safe. That at least raises the front of the Texan photographer Adam Voorhes – a master of still life absurd.”
Art director Craig Steckbeck nabbed two ADDYs for Sweet Leaf’s website & packaging all packed full of my product photos.
I just got this card in the mail for a gallery shindig tonight at the Art Institute of Austin. It features works from some of my very close friends and a few of my own pieces. We printed our stuff big. I’m talking four feet wide big. It looks neato. So if you happen to be wandering the streets nearby you should come in. I hear they have free food at these things.
Super rad art director Larry Williams asked me to illustrate the phrase ‘Come Together’ for Bluetooth. We brainstormed a bit and came up with this idea. I had a week to pull it off and only one day without rain! Here it is….